{"title":"Home page","description":null,"products":[{"product_id":"a-touch-study-i","title":"A Touch Study i","description":"\u003cp\u003eThe first study, but not necessarily the beginning. This series doesn't move in a straight line — it moves the way identity does, circling and colliding. Erratic marks pressed into darkness, every gesture reaching for something just out of name.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995432022328,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/1_768d8073-b362-4e9b-83d5-88e62e7a075e.jpg?v=1789832468"},{"product_id":"a-touch-study-ii","title":"A Touch Study ii","description":"\u003cp\u003eTwo studies in, and already the surface is restless. The marks don't build on each other so much as interrupt each other — colour forcing its way through, fingers finding and losing the thread. This is what it looks like to search without a map.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995462136120,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/2_4678b6c4-79f3-48e4-8d5c-50de13167504.jpg?v=1789832875"},{"product_id":"a-touch-study-iii","title":"A Touch Study iii","description":"\u003cp\u003eEvery mark here is a question. The gestures are erratic, overlapping, refusing to settle — and that's exactly the point. This piece sits somewhere in the middle of a journey that doesn't have a clear middle.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995482452280,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/3.jpg?v=1789832979"},{"product_id":"a-touch-study-iv","title":"A Touch Study iv","description":"\u003cp\u003eChaos and intention living in the same space. The fingermarks move across the surface like thoughts that won't stay still — emotional, urgent, and completely unresolved. That tension is the work.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995521184056,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/4.jpg?v=1789833070"},{"product_id":"a-touch-study-v","title":"A Touch Study v","description":"\u003cp\u003eSome pieces in this series feel like exhaling. This is not one of them. The marks are insistent, layered, searching — colour pressed into black with the kind of urgency that only comes from needing to say something you can't yet name.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995647668536,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/5.jpg?v=1789833659"},{"product_id":"a-touch-study-vi","title":"A Touch Study vi","description":"\u003cp\u003eThere's a particular kind of restlessness in this study — marks that go back on themselves, gestures that contradict and collide. Identity doesn't arrive cleanly, and this piece doesn't pretend otherwise.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995673719096,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/6.jpg?v=1789834233"},{"product_id":"a-touch-study-vii","title":"A Touch Study vii","description":"\u003cp\u003eThe seventh study, arrived at in no particular order. The erratic fingermarks here feel especially immediate — like catching a feeling mid-thought before it shifts into something else entirely.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995678241080,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/7.jpg?v=1789834400"},{"product_id":"a-touch-study-viii","title":"A Touch Study viii","description":"\u003cp\u003eEight studies into a series that isn't really about sequence. The marks are raw and searching, colour negotiating with darkness, every gesture an attempt to hold something that keeps changing shape.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995686465848,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/8.jpg?v=1789834481"},{"product_id":"a-touch-study-ix","title":"A Touch Study ix","description":"\u003cp\u003eThis piece asks to be felt before it's understood. The erratic surface, the layered colour, the physical imprint of hands working through something — it's all there, unresolved and honest.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995693707576,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/9.jpg?v=1789834569"},{"product_id":"a-touch-study-x","title":"A Touch Study x","description":"\u003cp\u003eTen studies, no hierarchy. This one arrived when it arrived, carrying its own emotional weight. Erratic marks, searching gestures, the body's presence embedded in every layer. A piece that doesn't explain itself — it just is.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995702030648,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/10.jpg?v=1789834681"},{"product_id":"a-touch-study-xi","title":"A Touch Study xi","description":"\u003cp\u003eThe marks here feel like they're mid-conversation — interrupting, overlapping, never quite finishing a thought. That's not a flaw. That's the whole point of this series: identity named in fragments, never in full sentences.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995708649784,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/11.jpg?v=1789834774"},{"product_id":"a-touch-study-xii","title":"A Touch Study xii","description":"\u003cp\u003eSomething shifts in this study — not toward calm, but toward a different kind of urgency. The erratic gestures are still there, still searching, but the colour feels more insistent. A piece in the middle of becoming something.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995713302840,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/12.jpg?v=1789834873"},{"product_id":"a-touch-study-xiii","title":"A Touch Study xiii","description":"\u003cp\u003eErratic, layered, deeply physical. The fingermarks in this piece move with a kind of determined restlessness — reaching for an emotional state that keeps shifting just out of reach. That pursuit is what makes it.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995723231544,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/13.jpg?v=1789834964"},{"product_id":"a-touch-study-xiv","title":"A Touch Study xiv","description":"\u003cp\u003eThis study doesn't resolve, and it's not trying to. The marks are erratic, the colour is searching, and the black underneath holds it all — chaos and groundedness in the same surface. Exactly where this series lives.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995727982904,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/14.jpg?v=1789835105"},{"product_id":"a-touch-study-xv","title":"A Touch Study xv","description":"\u003cp\u003eFifteen studies in, and the searching hasn't stopped — it's just more itself. The erratic marks, the layered colour, the physical imprint of hands working through emotion: it's all still here, still urgent, still unfinished in the best way.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995731620152,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/15.jpg?v=1789835206"},{"product_id":"a-touch-study-xvi","title":"A Touch Study xvi","description":"\u003cp\u003eThe sixteenth study, but not necessarily the end. By here the marks are just as erratic, just as searching — but something has shifted. Not resolution exactly, more like recognition. This is what finding yourself looks like on a surface.\u003c\/p\u003e\u003cp\u003eNicole Pieters ORIGINAL PRINT A Touch Study, 2025\u003c\/p\u003e\u003cp\u003eThis series continues my exploration of colour, gesture, and the body as central components of practice. The works build upon my use of black as a substrate, functioning both as a contemplative space and as a reminder of pain, while colour operates as a means of articulating layered emotional states. Mixing and applying paint with my fingers remains integral, shaped by my experience with hyperhidrosis and by the pursuit of a more direct, tactile engagement with the surface. The imprints and textures created through this method embed my physical presence into the work, establishing intimacy and emphasising the immediacy with which I convey ever-changing perception. The erratic mark-making reflects a recent period of turbulence, while the search for harmony within these gestures signals a shift toward prioritising balance and security once more. This series consolidates a visual language that situates texture, colour, and gesture within the negotiation of chaos, identity, safety, and joy.\u003c\/p\u003e","brand":"its.nicoles.art","offers":[{"title":"Default Title","offer_id":52995744039224,"sku":null,"price":1000.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1017\/0191\/0840\/files\/16.jpg?v=1789835338"}],"url":"https:\/\/itsnicolesart.shop\/collections\/frontpage.oembed","provider":"its.nicoles.art","version":"1.0","type":"link"}